Patriarchy is a concept which supports the power and strength
of men. This concept tells that the level of men is higher than women. From
time to time, the concept of patriarchy entrenched in human thought. A feminist
named Simone De Beauvoir wrote about “The Second Sex” to criticize this
concept. In her writing, she said that women that also known as the second
class citizen must have the courage
to say no about something that they don’t want.
“We shall not, then, permit our self to be
intimidated by the number and violence of the attacks launched against women,
nor to be entrapped by the self-seeking eulogies bestowed on the “true woman,”
nor to profit by the enthusiasm for woman’s destiny manifested by men who would
not for the world have any part of it.” (Beauvoir)
De Beauvoir
concluded that civilization—all of it: culture,
knowledge, art, values—was of man’s making. The
statement implies
that women are weaker than men, that
men are “the one” and women are “the other” is only
social construction. Then, she believes that
“Modern
Technology—including contraception and abortion—women
could surmount their physical disadvantages; with advent of socialism, their
secondary social and economic status would be overcome.”
Here,
De Beauvoir wanted that women can change their life if they can say no and
fight against something that they didn’t want because the concept of patriarchy
that men hold reflects their frightened and foolishness towards women.
In
M. Butterfly play, the main character Rene Gallimard unconsciously holds the
concept of patriarchy and brings it up into his mind. However, the concept of
patriarchy that he has is just to cover his fear and shows his stupidity toward
the other women characters, such as Helga, Renee, Song Liling, etc. Some of his acts
prove that he really feels superior, but then it’s just only in his mind when
he lives with Helga. He makes a fantasy about the “Perfect Woman” like one of
the character in Madama Butterfly play which is Cio-Cio-San who sacrifices for
her husband the Western. From that play, I think it’s really patriarchal
because it explains that men are really superior which is made the women
willing to sacrifices. The perfect woman that Gallimard wants is like
Cio-Cio-San who are submissive and
willing to sacrifice, which are
butterfly’s characters. He is colonized by
his own mind about the “Perfect Woman”. It makes him live in his own mind. He thinks
that he is Pinkerton
in the play Madama Butterfly, and will get a beautiful
woman like butterfly. Actually Rene Gallimard is not a handsome guy as he said “Gallimard: But
my vows had long since lost their charm by the time we arrived in China. The
sad truth is that all men want a beautiful woman, and the uglier the man, the
greater the want.” (Scene 5, act one).
He feels that he is similar to Pinkerton.
Therefore, someday he will get a beautiful woman who makes him feel superior. However, now in his real life
he has already married with Helga who has
never made he feels superior.
According to him, the Western women are too dominating. They are not like
Butterfly that he wants. He married Helga because he didn’t find a woman like in his
fantasy. His relation with Helga doesn’t show that Gallimard has power to
protect Helga as his wife. He can’t do anything to Helga, because Helga
actually has same power with him. From this, we can see that, although
Gallimard has the concept of patriarchy he can’t prove it in his real life.
It’s also the same when he met Renee. As Western women, she is also dominating
and too ambitious. “Gallimard: … but is
it possible for a woman to be too uninhibited, too willing, so as to seem
almost masculine too.” (Scene 6, act two). Here, it’s not the character
like Gallimards wants. Actually Renee is a beautiful woman, but she’s too uninhibited,
willing and etc, so Gallimard can’t prove his superiority towards her. This
reflects that his patriarchal concept is only in his mind and in real life he
afraid towards Western women.
The
other example which shows his insecurity
is:
“Gallimard:
In real life, woman who put their total worth as less than sixty-six cents are
quite hard to find. The closest we come is in the pages of these magazines. (He
reaches into his crate, pulls out a stack of girlie magazines, and begins
flipping through them) Quite a necessity in prison. For three or four dollars,
you get seven or eight women. I first discovered these magazines at my uncle’s
house. One day as a boy of twelve. The first time I saw them in his closet . .
. all line up-my body shook. Not with lust – no, with power. Here were women-
shelf full - who would do exactly as I wanted.”(Scene 5, Act One)
I
think this statement also reflects Gallimard fear towards Western Woman. Unconsciously, Gallimard holds the
concept of Patriarchy which makes him feel so free to watch the woman in
magazine. However women in the magazine
are just a picture, not real women that he can easily watch them naked like in
magazine. Therefore, I think that in real life he can not prove his power that
he fantasizes. Again, this is the way he shows his fear because he chooses
living in fantasy than real life.
Next, what I want to
prove is not only about Gallimard’s fear about the western women but also his
stupidity. Gallimard finally met the woman who acts like the woman in his
fantasy. Gallimard sees that Song Liling is the one who similar with
Cio-Cio-San. When Gallimard first saw her in Opera, acting as Cio-Cio-San in
Madama Butterfly, he
said “…I believe this girl. I believe her
suffering. I wanted to take her in my arms- so delicate, even I could protect
her, Take her home, pamper
her until she smiled.” (Scene 6, Act One). This statement shows that, before he knows Song
Liling deeply, he has already judged that Song Liling is the “Perfect Woman”
that he looking for. He doesn’t know that Song Liling is actually a man. The
patriarchal concept in here is that Gallimard
feels so powerful to protect Song Liling. It seems that Song doesn’t have power
to protect her self. Here, Song Liling
takes this turn to play with Gallimard’s fantasy. She takes advantages of the
situation. She becomes a spy of China to America. She tries to prove that she
is the “Perfect Woman” that Gallimard wants. “Gallimard: Unlike a western woman, she didn’t confront me, threaten,
even pout.” (Scene 6, act two). This
shows that Song’s behavior is different
with Western woman:
Song is more submissive, so it makes Gallimard has power to dominatee her. From thee fantasy that he created,
I think Gallimard becomes
a stupid person. His own fantasy makes his life broken and also his fantasy. He
finally knows that Song Liling is a man. It proves that although he has his
patriarchal concepts in his mind and lives with his own fantasy just make him
like a stupid person because he is tricked
by Song Liling who pretends to be a woman. “Tonight, I’ve finally learned to tell
fantasy from reality. And knowing the difference, I chose fantasy” (Scene 2,
act three). He chose his fantasy because in reality his “Perfect Woman” is
actually man. From this, I think he is frightened because he avoid the reality
and chose to live with his stupid mind.
In conclusion,
the patriarchy concept that men hold reflects their fear and foolishness
towards women. They’re
afraid to see their real life that makes them avoid accepting the truth. It is proven by Gallimard’s act in
M. Butterfly.
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